2019/1944 Hugo Awards Nominations Open

The nominating period for the 2019 Hugo Awards and 1944 Retrospective Hugo Awards is now open, according to an announcement from Dublin 2019. The convention also announced the designers for the various award bases. The 2019 Hugo Award base will be designed by Jim Fitzpatrick; that for the 1944 Retro Hugo Awards will be designed by Dr Eleanor Wheeler; and the trophy for the new Lodestar Award for Young Adult Fiction will be designed by Sara Felix.

Instructions for accessing the online nominating form have been sent via e-mail. Check your junk e-mail/spam/promotions folders in your e-mail client for this e-mail if you did not receive it. Despite the convention’s efforts, voter information notification messages may be flagged as spam.

The Dublin 2019 Hugo Awards web page has the links to the online nominating ballots for the 2019 and 1944 Hugo Awards. Dublin 2019 is not using a voting PIN system. Your email from the convention will contain a unique URL that provides access to your ballot.

Paper ballots will be mailed to those members of Dublin 2019 who requested paper publications along with the convention’s Progress Report 3, currently in production. PDFs of the paper ballots are also available from Worldcon 76’s Hugo Awards page.

Nominations will close on March 16, 2019 at 06:59 UTC (11:59 pm Pacific Daylight Time on 15 March). Paper ballots must be received by mail by 15 March 2019. The Finalists for the Awards will be announced in early April.

Dublin 2019 will be presenting the 2019 Hugo Awards (generally for works first published or appearing in 2018) as well as the 1944 Retrospective Hugo Awards (generally for works first published or appearing in 1943). Any person who was a voting member of at least one of the 2018 or 2019 World Science Fiction Conventions as of December 31, 2018 may cast nominating ballots for the 2019 and 1944 Awards.

If you are a member of the 2018 Worldcon but not the 2019 Worldcon and did not give the 2018 Worldcon (San José) permission to share your information with the 2019 Worldcon (Dublin), the 2019 Worldcon will not contact you, due to data-privacy rules. If you are a member of the 2018 Worldcon and did not receive an e-mail from the 2019 Worldcon but want to nominate, contact the Dublin 2019 Hugo Award Administrators.

Included in the ballots will be voting for a Special Hugo Award of Best Art Book. Each Worldcon has the right to add one category to the Hugo Awards for their year only, and Dublin 2019 has elected to use this power to test an Art Book category.

The ballots will also include voting on two other awards administered by the World Science Fiction Society. These are the WSFS Lodestar Award for Young Adult Fiction; and the John W. Campbell Award for Best New Writer presented by Dell Magazines.

Please direct any questions about the administration of the 2019 and 1944 Hugo Awards to the Dublin 2019 Hugo Award Administrators, not to the Hugo Awards web site. The Hugo Awards web site team does not administer the elections for the Hugo Awards, nor do we make eligibility rulings. The 2019/1944 Hugo Awards are administered by the Hugo Awards Administration Subcommittee of Dublin 2019, and all decisions regarding the eligibility of works and the administration of nominations are exclusively the committee’s responsibility.

Join Worldcon by December 31, 2018 to be Eligible to Nominate for 2019 Hugo Awards

The Hugo Awards are selected by a vote of the members of the World Science Fiction Convention (Worldcon) in a two-stage process. The first stage is nominating (which starts in early 2019) and the second stage is the final ballot that includes those works/people that received enough nominations in the first stage (which starts later in 2019). If you want to participate in the nominating stage and are not yet a member of either the 2018 or 2019 Worldcons, take note of the December 31, 2018 deadline for joining Worldcon in order to be eligible to nominate in 2019.

If you want to nominate works/people for the 2019 Hugo Awards, you must be a member of either the 2018 Worldcon (San José) or the 2019 Worldcon (Dublin) by the end of 2018. (You can of course be a member of both, but you can only nominate once.) If you were a member of Worldcon 76 San José (supporting or attending, or any other membership class that included voting rights), you are already eligible to nominate. If you were not a member of Worldcon 76 San José and are not a member of Dublin 2019: An Irish Worldcon, you must join Dublin by the end of 2018 as at least a supporting member by the end of 2018 to be able to nominate.

To join the 2019 Worldcon, go to the Dublin 2019 Membership Page. You do not have to attend Dublin to be a member. A supporting membership includes all of the membership rights including nominating for the Hugo Awards, but not the right to attend the convention itself. The other membership classes including Attending and Young Adult can attend the convention and also have the nominating and voting rights. If you join Dublin as at least a supporting member by the end of 2018, you will be eligible to nominate for the 2019 Hugo Awards.

The final ballot will be announced sometime after nominations close. Only members of the 2019 Worldcon will be eligible to vote on the final ballot. The deadline for joining in order to vote on the final ballot is when final ballot voting closes. Dublin 2019 has not yet announced specific dates. The December 31, 2018 deadline applies only to joining in order to nominate, not to vote on the final ballot.

The 2019 Hugo Awards will be administered by the 2019 Worldcon. See the 2019 Hugo Awards web page on the 2019 Worldcon’s web site for additional information. Address specific questions about the 2019 Hugo Awards to the 2019 Worldcon. The Hugo Awards web site does not run the Hugo Awards. Each year’s Awards are run by that year’s Worldcon.

In general, the 2019 Hugo Awards (and the 1944 Retrospective Hugo Awards, also being run by the 2019 Worldcon) are for work first published in the previous year. Therefore the 2019 Hugo Awards are for works first published in 2018 and the 1944 Retro-Hugo Awards are for works first published in 1943. There are exceptions for works previously published in languages other than English, and for works originally published outside of the USA. See the section about “Year of Eligibility” on the Hugo Award Categories page for a longer discussion of this.

2018 Hugo Award Winners

Here are the results of the 2018 Hugo awards. Congratulations to all of the winners. The full voting and nomination breakdowns are available here.

Best Novel

  • The Stone Sky, by N.K. Jemisin (Orbit)
  • The Collapsing Empire, by John Scalzi (Tor)
  • Provenance, by Ann Leckie (Orbit)
  • Six Wakes, by Mur Lafferty (Orbit)
  • Raven Stratagem, by Yoon Ha Lee (Solaris)
  • New York 2140, by Kim Stanley Robinson (Orbit)

Best Novella

  • All Systems Red, by Martha Wells (Tor.com Publishing)
  • “And Then There Were (N-One),” by Sarah Pinsker (Uncanny, March/April 2017)
  • Down Among the Sticks and Bones, by Seanan McGuire (Tor.Com Publishing)
  • Binti: Home, by Nnedi Okorafor (Tor.com Publishing)
  • The Black Tides of Heaven, by JY Yang (Tor.com Publishing)
  • River of Teeth, by Sarah Gailey (Tor.com Publishing)

Best Novelette

  • “The Secret Life of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)
  • “Wind Will Rove,” by Sarah Pinsker (Asimov’s, September/October 2017)
  • “A Series of Steaks,” by Vina Jie-Min Prasad (Clarkesworld, January 2017)
  • “Extracurricular Activities,” by Yoon Ha Lee (Tor.com, February 15, 2017)
  • “Children of Thorns, Children of Water,” by Aliette de Bodard (Uncanny, July-August 2017)
  • “Small Changes Over Long Periods of Time,” by K.M. Szpara (Uncanny, May/June 2017)

Best Short Story

  • “Welcome to your Authentic Indian Experience™,” by Rebecca Roanhorse (Apex, August 2017)
  • “Fandom for Robots,” by Vina Jie-Min Prasad (Uncanny, September/October 2017)
  • “The Martian Obelisk,” by Linda Nagata (Tor.com, July 19, 2017)
  • “Sun, Moon, Dust” by Ursula Vernon, (Uncanny, May/June 2017)
  • “Carnival Nine,” by Caroline M. Yoachim (Beneath Ceaseless Skies, May 2017)
  • “Clearly Lettered in a Mostly Steady Hand,” by Fran Wilde (Uncanny, September 2017)

Best Series

  • World of the Five Gods, by Lois McMaster Bujold (Harper Voyager / Spectrum Literary Agency)
  • InCryptid, by Seanan McGuire (DAW)
  • The Memoirs of Lady Trent, by Marie Brennan (Tor US / Titan UK)
  • The Books of the Raksura, by Martha Wells (Night Shade)
  • The Stormlight Archive, by Brandon Sanderson (Tor US / Gollancz UK)
  • The Divine Cities, by Robert Jackson Bennett (Broadway US / Jo Fletcher Books UK)

Best Related Work

  • No Time to Spare: Thinking About What Matters, by Ursula K. Le Guin (Houghton Mifflin Harcourt)
  • Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate, by Zoë Quinn (PublicAffairs)
  • Luminescent Threads: Connections to Octavia E. Butler, edited by Alexandra Pierce, and Mimi Mondal (Twelfth Planet Press)
  • Iain M. Banks (Modern Masters of Science Fiction), by Paul Kincaid (University of Illinois Press)
  • Sleeping with Monsters: Readings and Reactions in Science Fiction and Fantasy, by Liz Bourke (Aqueduct Press)
  • A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff (NESFA Press)

Best Graphic Story

  • Monstress, Volume 2: The Blood, written by Marjorie M. Liu, illustrated by Sana Takeda (Image Comics)
  • Saga, Volume 7, written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics)
  • Bitch Planet, Volume 2: President Bitch, written by Kelly Sue DeConnick, illustrated by Valentine De Landro and Taki Soma, colored by Kelly Fitzpatrick, lettered by Clayton Cowles (Image Comics)
  • Black Bolt, Volume 1: Hard Time, written by Saladin Ahmed, illustrated by Christian Ward, lettered by Clayton Cowles (Marvel)
  • Paper Girls, Volume 3, written by Brian K. Vaughan, illustrated by Cliff Chiang, colored by Matthew Wilson, lettered by Jared Fletcher (Image Comics)
  • My Favorite Thing is Monsters, written and illustrated by Emil Ferris (Fantagraphics)

Best Dramatic Presentation, Long Form

  • Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers)
  • Get Out, written and directed by Jordan Peele (Blumhouse Productions / Monkeypaw Productions / QC Entertainment)
  • Thor: Ragnarok, written by Eric Pearson, Craig Kyle, and Christopher Yost; directed by Taika Waititi (Marvel Studios)
  • Star Wars: The Last Jedi, written and directed by Rian Johnson (Lucasfilm, Ltd.)
  • The Shape of Water, written by Guillermo del Toro and Vanessa Taylor, directed by Guillermo del Toro (TSG Entertainment / Double Dare You / Fox Searchlight Pictures)
  • Blade Runner 2049, written by Hampton Fancher and Michael Green, directed by Denis Villeneuve (Alcon Entertainment / Bud Yorkin Productions / Torridon Films / Columbia Pictures)

Best Dramatic Presentation, Short Form

  • The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland (Fremulon / 3 Arts Entertainment / Universal Television)
  • Black Mirror: “USS Callister,” written by William Bridges and Charlie Brooker, directed by Toby Haynes (House of Tomorrow)
  • The Good Place: “Michael’s Gambit,” written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television)
  • Doctor Who: “Twice Upon a Time,” written by Steven Moffat, directed by Rachel Talalay (BBC Cymru Wales)
  • Star Trek: Discovery: “Magic to Make the Sanest Man Go Mad,” written by Aron Eli Coleite & Jesse Alexander, directed by David M. Barrett (CBS Television Studios)
  • “The Deep” [song], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)

Best Editor, Short Form

  • Lynne M. Thomas & Michael Damian Thomas
  • Sheila Williams
  • Neil Clarke
  • John Joseph Adams
  • Jonathan Strahan
  • Lee Harris

Best Editor, Long Form

  • Sheila E. Gilbert
  • Navah Wolfe
  • Diana M. Pho
  • Devi Pillai
  • Miriam Weinberg
  • Joe Monti

Best Professional Artist

  • Sana Takeda
  • John Picacio
  • Galen Dara
  • Victo Ngai
  • Kathleen Jennings
  • Bastien Lecouffe Deharme

Best Semiprozine

  • Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky
  • Strange Horizons, edited by Kate Dollarhyde, Gautam Bhatia, A.J. Odasso, Lila Garrott, Heather McDougal, Ciro Faienza, Tahlia Day, Vanessa Rose Phin, and the Strange Horizons staff
  • Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
  • Escape Pod, edited by Mur Lafferty, S.B. Divya, and Norm Sherman, with assistant editor Benjamin C. Kinney
  • Fireside Magazine, edited by Brian White and Julia Rios; managing editor Elsa Sjunneson-Henry; special feature editor Mikki Kendall; publisher & art director Pablo Defendini
  • The Book Smugglers, edited by Ana Grilo and Thea James

Best Fanzine

  • File 770, edited by Mike Glyer
  • SF Bluestocking, edited by Bridget McKinney
  • nerds of a feather, flock together, edited by The G, Vance Kotrla, and Joe Sherry
  • Journey Planet, edited by Team Journey Planet
  • Galactic Journey, edited by Gideon Marcus
  • Rocket Stack Rank, edited by Greg Hullender and Eric Wong

Best Fancast

  • Ditch Diggers, presented by Mur Lafferty and Matt Wallace
  • Fangirl Happy Hour, presented by Ana Grilo and Renay William
  • The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
  • Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts; produced by Andrew Finch
  • Sword and Laser, presented by Veronica Belmont and Tom Merritt
  • Verity!, presented by Deborah Stanish, Erika Ensign, Katrina Griffiths, L.M. Myles, Lynne M. Thomas, and Tansy Rayner Roberts

Best Fan Writer

  • Sarah Gailey
  • Foz Meadows
  • Mike Glyer
  • Bogi Takács
  • Camestros Felapton
  • Charles Payseur

Best Fan Artist

  • Geneva Benton
  • Likhain (M. Sereno)
  • Grace P. Fong
  • Maya Hahto
  • Spring Schoenhuth
  • Steve Stiles

There are two other Awards administered by Worldcon 76 that are not Hugo Awards:

Award for Best Young Adult Book

  • Akata Warrior, by Nnedi Okorafor (Viking)
  • Summer in Orcus, written by T. Kingfisher (Ursula Vernon), illustrated by Lauren Henderson (Sofawolf Press)
  • In Other Lands, by Sarah Rees Brennan (Big Mouth House)
  • A Skinful of Shadows, by Frances Hardinge (Macmillan UK / Harry N. Abrams US)
  • The Art of Starving, by Sam J. Miller (HarperTeen)
  • The Book of Dust: La Belle Sauvage, by Philip Pullman (Knopf)

John W. Campbell Award for Best New Writer

  • Rebecca Roanhorse
  • Vina Jie-Min Prasad
  • Jeannette Ng
  • Rivers Solomon
  • Katherine Arden
  • Sarah Kuhn*

*Finalist in their 2nd year of eligibility

2018 Hugo Awards Ceremony Text-Based Coverage

Looking for the livestream of the 2018 Hugo Awards? Click here!

Below is the window to our live text-only coverage of the 2018 Hugo Awards Ceremony:

Live Blog 2018 Hugo Awards Ceremony
 

Coverage of the 2018 Hugo Awards Ceremony on TheHugoAwards.org is made possible in part by a grant from the Utah Fandom Organization and Westercon 72, July 4-7, 2019 in Layton, Utah.

The 2018 Hugo Award Trophy

The trophy for this year’s Hugo Awards was unveiled as part of the Worldcon 76 opening ceremonies. The base design is by Sara Felix and Vincent Villafranca. Here’s a close-up of the base.

This year’s Hugo Award winners will be announced on Sunday night (California time). For details of our live coverage see here.

Retro-Hugo Photo Update

This photograph of Worldcon 76 Chair, Kevin Roche, pictured with his husband, Andy Trembley, gives a much better view of the tower behind the rocket. The design is based on the San José Electric Light Tower.

The base of the trophy is made from cherry wood because cherries were a major crop in San José before the advent of Silicon Valley.

1943 Retro-Hugo Awards Announced

The 2018 World Science Fiction Convention, Worldcon 76, announced the winners of the 1943 Retrospective Hugo Awards at a ceremony on the evening of Thursday, August 16, 2018. 703 valid ballots (688 electronic and 15 paper) were received and counted from the members of the 2018 World Science Fiction Convention.

BEST NOVEL

Beyond This Horizon, by Anson MacDonald (Robert A. Heinlein) (Astounding Science-Fiction, April & May 1942)

BEST NOVELLA

“Waldo,” by Anson MacDonald (Robert A. Heinlein) (Astounding Science-Fiction, August 1942)

BEST NOVELETTE

“Foundation,” by Isaac Asimov (Astounding Science-Fiction, May 1942)

BEST SHORT STORY

“The Twonky,” by C.L. Moore and Henry Kuttner (Astounding Science-Fiction, September 1942)

BEST DRAMATIC PRESENTATION, SHORT FORM

Bambi, written by Perce Pearce, Larry Morey, et al., directed by David D. Hand et al. (Walt Disney Productions)

BEST EDITOR, SHORT FORM

John W. Campbell

BEST PROFESSIONAL ARTIST

Virgil Finlay

BEST FANZINE

Le Zombie, edited by Arthur Wilson “Bob” Tucker

BEST FAN WRITER

Forrest J Ackerman

The 1943 Hugo Award winners were announced at a ceremony held at Worldcon 76 on Thursday August 16th, 2018 in San Jose, California. See also the announcement on the Worldcon 76 web site and breakdown of detailed results including subsequent placements.

2018 Hugo Ceremony Coverage Plans

The 2018 Hugo Awards Ceremony is scheduled for Sunday, August 19, 2018 at 8:00 PM North American Pacific Daylight Time (UTC-7) in the McEnery Convention Center Grand Ballroom in San Jose, California. The ceremony is open to all attending members of Worldcon 76, with additional seating available in “Callahan’s Place” in the convention center Exhibit Hall.

The Hugo Awards web site will once again offer text-based coverage of the Hugo Awards ceremony via CoverItLive, suitable for people with bandwidth restrictions. For those with the bandwidth for it, Worldcon 76 San Jose plans to offer live video streaming of the Hugo Awards ceremony. Details of the live-streaming coverage will be available at the 2018 Worldcon web site.

The Hugo Awards web site coverage team of Kevin Standlee, Susan de Guardiola, and Cheryl Morgan plan to be “on the air” approximately fifteen minutes before the ceremony. You can sign up at the CoverItLive event site for an e-mail notification before the event starts. Remember that the CoverItLive text coverage is text-only, and is likely to not be in synch with the video streaming. Also, the CoverItLive team here at TheHugoAwards.org is not responsible for the video streaming coverage and cannot answer any questions about it.

If you can’t be in San Jose, we hope you’ll join us on CoverItLive or watch the ceremony online.

Coverage of the 2018 Hugo Awards Ceremony on TheHugoAwards.org is made possible in part by a grant from the Utah Fandom Organization and Westercon 72, July 4-7, 2019 in Layton, Utah.